So I like how the clocking is all being done in the patch below. I think that it is really nice to have very few features baked in, but lots of availability for adding them as needed. As more modules get hooked together, particular workflow challenges arise. I am just going to go ahead and keep moving simple, mainly because I want to figure out the best way to use Audulus in a looping scenario - trying to work from strengths and see what could be considered. Maybe there could be a suite of looper tools?Īlso, the reverse delay is really awesome, but I wish it could be standardized in the same fashion as the delay syncing approach from the Reface library so that I can get the same tight clock syncing. By the way, please fix the download on this module post, there is an error. If you scroll up to the post where the gentleman named Knobs starts to unfold how Blooper was designed, I think it will make sense in conceptualizing the direction I would like to go in the thread.īasically I want the tools similar to the Simple Looper that posted, broken out so that we can start to make custom looper patches. So I should be able to rip this out of the mixer module with mutes…sorry I asked. edit: I guess this would essentially be a mute.When I use the clock synced delay wired to the bar loop tool, I would often record something and then disconnect the inputs.ĭumb question #1: how to I build a simple latched gate (is that the right term)? I have been sort of hacking my way around this looper approach for a while, where I wasn’t trying to build a great tool but just finding workarounds so I could get a little track done in a day. Enjoy, and don’t forget to run the clock. Feel free to ask any questions or post your own variations here by adding different tools to the signal chain. There will be a series of patches to follow, each getting more complex as we go. So this is where you can freeze your loop, but also but turning the dial back you can get it to fade away or erase is completely.įinally, there is a bit of reverb on the end. If you set the feedback dial all the way to the right, you will get an infinite repeat. Next, the signal passes through another delay module that is actually set up to capture loops per bar, which can also be adjusted. So you can set the beats per minute on the master clock, then set the delay divisions to your taste. The signal then passes through something like a divided digital delay. I have a ukulele plugged into an Apogee Jam, which is plugged into an iPhone. It starts with an Audio to Digital converter (ADC). I would argue even more expansive than Blooper. As I have said before, the possibilities here are mind blowing. So I have decided to wipe the board clean, so to speak, and begin fresh. I was looking at some of the guitar (or whatever instrument) patches earlier and got myself confused.
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